The most complete and well–known source of the myth of Demeter and
Persephone available to us comes from the first Homeric Hymn to
Demeter, composed around 650 B.C.E. While preserving and elaborating
the most coherent form of the myth, the author of the Homeric Hymn
screened out many of its more archaic and most interesting elements.
These are to be found in variants of the myth, which survive only in
fragmentary form. In the following rendering of the mythic tale, I have
used the Homeric Hymn as a baseline (drawing from the translations of
Charles Boer1 and Paul Friedrich2 in particular); the relevant variants
appear in my commentary on each part of the Homeric story.
Saluting Demeter as the 'awesome' goddess and describing her daughter
as the Kore whom Zeus "gave away to be seized by violence" by Hades,
the Homeric author begins his tale: Kore was playing in a field
one day, far from her mother, picking flowers with other maiden
goddesses. Suddenly she came upon a flower never seen before—the
narcissus— which Earth (the goddess Gaia) had grown as a favor to Hades
and Zeus. The young woman was amazed and reached for the hundred–headed
blossom in delight but as she did, the earth opened wide and up from
its chasm leapt the Lord of the Underworld. He snatched the girl and
carried her off in his chariot. More>>>