Howard Gayton has worked for over thirty years as a theatre director, performer, and teacher specializing in Commedia dell'Arte and other forms of physical and mask theatre, as well as live art, puppetry, foolery and theatrical clowning. He is interested in all manner of tricksters, zanni figures, fools, jesters and sacred clowns, as well as in the use of masks in drama, myth, magic, and sacred rituals the world over.
In its earliest form (in 16th century Italy), Commedia dell'Arte married the rough entertainments of traveling street peddlers with the classicism of Greco-Roman drama and the masks of Venetian Carnival - using stock characters to create a vibrant, slap- stick, highly physical (and often subversively political) form of comedy theatre. Performed outdoors on high trestle stages in busy piazzas and market squares, Commedia was beloved by audiences all across medieval and Renaissance Europe. Its themes can be found time and time again in the works of Shakespeare, Moliere and other great European dramatists.
Howard co-founded his first Commedia company, Ophaboom, with Geoff Beale in 1991. Drawing on medieval theatre, trickster tales, and Commedia's origins, they set out to create a contemporary style of Commedia that would resonate with modern audiences. Working in four languages (sometimes all in the same show!), they spent the better part of two decades touring extensively throughout the British Isles, across continental Europe, and as far afield as North America and Southeast Asia, establishing themselves as one of Europe's leading Commedia companies.
Building on his years with Ophaboom, Howard is now collaborating with playwright Peter Oswald to establish The English Commedia Company. Their goal is to forge a specifically English branch of this classic European theatre form.
Other theatre projects:
Who Ever We Are, co-founded by Howard and Marcus Violette, is an ensemble dedicated to live art and tomfoolery. ("Live art" is the UK equivalent of "performance art" in the US.) Current shows include connected:disconnected, directed by Sandra Löwe of Sprachhaus M in Basile, Switzerland, and The Grey Gnomes, in development with master Fool Jonathan Kay.
Howard is also working with Tom Hirons & Rima Staines on Hedgespoken: A Vehicle for the Imagination, presenting folk theatre for all ages on a traveling off-grid stage.
In addition to these ongoing projects, he teaches Commedia, mask work and physical theatre at drama schools in England and Portugal; gives workshops in masking and clowning to theatre professionals seeking to expand their skills; and has worked as a performer or director for a wide variety of productions in the UK and abroad.
Puppetry: Howard has written, directed,
and performed in puppet shows for The Little Angel Theatre in London, Norwich Puppet Theatre in Norfolk, and Dreamgrubber/ Figuren Theatre in Devon - including popular versions of The Musicians of Bremen, The Selkie Bride, Romeo and Juliet, and King Arthur. He teaches classes for professional puppeteers at The Curious School of
Puppetry in London.
Music: Howard plays guitar, mandolin, accordion, and percussion, and is currently a member of Nosey Crows, a Dartmoor alt-folk band consisting of Jenny Dooley (vocals), Stephen Dooley (percussion), David Wyatt (lead guitar and bouzouki), and Howard (vocals, rhythm guitar, and accordion). The band plays a mix of original songs and classic tunes covered in their own unique way, drawing on musical styles from traditional folk to rock-and-roll.
Writing: Howard has created play scripts for Commedia dell'Arte and puppet theatre, radio plays with Owen Powell, and a graphic novel, John Barleycorn Must Die, with artist Rex Van Ryn. Howard's articles on mask theatre and Commedia have appeared in books and drama journals, and in the online Journal of Mythic Arts. He has also published a chap book of poetry, To the Desert, with art by the Arizona photographer Stu Jenks.
Background: Howard was raised in Gloucestershire and Oxfordshire, attended Exeter University in Devon, and then was based in London for many years while he toured the world with Ophaboom, alternated with stints at The Little Angel. He returned to Devon in 2004, where he now lives in a small arts village at the edge of Dartmoor with his wife, American writer & artist Terri Windling. Their daughter Victoria is a culinary arts scholar & pastry chef in London.
In addition to receiving a BA in Drama and English from Exeter University, Howard studied Physical Theatre at the Desmond Jones School in London, and The History of Western Esotericism as a graduate student at Exeter University. He has also researched the use of masks in Native American and Mexican-American communities in Arizona with the aid of an Arts Council England grant.
His other interests include martial arts training, tap dancing, learning new instruments and new languages, cooking, travel, esoteric history, and sleight-of-hand magic.