About JoMA

  • "The Journal of Mythic Arts" is an online journal published by the Endicott Studio, an organization dedicated to literary, visual, and performance arts inspired by myth, folklore, fairy tales, and the oral storytelling tradition.

    For generations, artists have drawn upon mythic and folkloric symbolism to make contemporary works addressing the issues of their time. Our mission is to honor mythic artists of the past, support mythic artists working today, and to carry this tradition into the future.

JoMA Contents

The People
Behind JoMA


  • Editorial Staff:

    Terri Windling, editor
  • Jamie Bluth, assistant editor


    Additional Reviewers:

    Elizabeth Genco

    Heinz Insu Fenkl

    Kathleen Howard

    Helen Pilinovsky


    You can read more
    about us all here.

Contributing Writers, Artists, & Scholars

« Cobweb Forest: Chapter Four | Main | The Fantasy of Food »

February 08, 2007

Comments

Love the Japanese woodcuts here--gorgeous stuff!

Have you seen the animated Hellboy movie that recently came out? Some really fantastic use of Japanese folklore (some regarding foxes, which is what made me think of it). One of the characters is actually a folklorist. I really loved seeing this subject matter in a mainstream format.

Heinz Insu Fenkl's article "Fox Wives and Other Dangerous Women" is fascinating and terrifying. I can’t imagine how he must have felt as a child upon hearing "The Fox Sister." The story gives me the chills at 55.

Thank so much, Terri, for such a terrific and extensive source of info about fox-spirits. And thank goodness for folklorists such as Heinz Insu Fenkl.

hugs,
Meg



There's also a tradition in Scandinavia of the foxwoman (called "räven") - and a wonderful song by the folk-rock group Hedningarna, "Räven" (from their album Trä), which is based on those legend.

Through a peculiar and amusing series of events Inari, in a female aspect, was responsible for my husband and I originally meeting. He's always had a soft spot for Inari and kitsune myth and it's extended to me now.

You've mentioned a couple stories I'd not heard of before so I will most definitely be checking them out.

My 2003 novel Pelzmantel featured a woman who traded skins with a fox (a good way to hide). While the larger story is a Donkey Skin tale about a princess on the run, the narrator is a elderly witch who finds it best to conceal herself as a fox -- once she has convinced the fox that a spell in her body will be a good way to spend the normally lean winter months.

Kate, I'm not familiar with your novel -- but it sounds terrific, so I'll seek it out.

The comments to this entry are closed.

About this blog

  • After 11 years on web, the Summer 2008 issue of The Journal of Mythic Arts will be our last; thus JoMA's blog is now closing too.

    The archives of this blog will remain online, however. Here you'll find mythic arts information, resources, and past features on writers, artists, and performers who draw upon myth and folklore in their work.

    To access the blog's archives, use the handy search engine, or the date and catagory links below.

Where you'll find us now

  • Visit The Endicott Studio website here, and our news blog here.

    Visit Midori Snyder's blog, "In the Labyrinth," here.

    Visit Terri Windling's Studio here.

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  • All money raised through JoMA is donated to organizations working with abused, homeless, and at-risk children. (This will continue to be true of our archival pages even after JoMA ceases publication.)

    Click here to find out more.

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